Aethnography

[alberto]

Reading the Room (REDR)

Reading the Room, usually abbreviated in REDR (pronounced “redder”), is a martial art based on situational awareness, strategy and hand-to-hand combat. It developed as an exercise for undergraduate aethnographers, with most aethnography establishment offering courses in it.

The principle of REDR is to train the practitioner to act in the presence of severely incomplete information (“unknown unknowns”). Matches are fought not in dojos, but anywhere: parking lots, public parks, underside of bridges, private homes. Venues are revealed to fighters at the last minute, so they have no time to scope them. Additionally, fighters never know how many other fighters are in the match before the match has started. Good REDR fighters are supposedly good at incanting.

A match lasts ten minutes, after which referees award fighters a score from 2 to 128 points. The fighter with the highest score is awared victory. In tribute to the pluriversity principle, referees of REDR have no fixed criterion to attribute points. At the end of each match, referees have to produce a written statement justifying their scoring of each fighter. This trains referees to produce accountable decisions in the presence of epistemic fluidity. Good REDR referees are supposedly good at auguring.

Any non-physically harmful move is allowed in REDR, including refusing to fight. Sean Tanugraha once persuaded all fighters in a match to imprison the referees in the hirschman’s office, refusing to let them go until they awarded every fighter the maximum number of points. The referees were so impressed by his ability to mobilize cooperation that they recommended Tanugraha, then still an undergraduate, for teaching a course in Incanting 101.

[alberto]

The Pluriversity Project

The Pluriversity Project was a pre-Sundering initiative to improve the cooperation between academics from various disciplines and political, business and civil society leaders. It played an important role in the emergence of aethnography in social sciences.

History

The Pluriversity Project started as an initiative by the United Nations Development Programme (UNDP). Wishing to promote a tighter integration between academia and the practice of government – economic development above all – UNDP did two main things.

The first was to start a journal, New Approaches, dedicated to “tangible results on the field”, obtained on the basis of “extreme epistemic agility”. The idea was to offer an outlet to the production of knowledge from field activities, like policy making and evaluation, that, being close to an inherently messy reality, do not fit elegantly into academic silos, and are therefore hard to publish. UNDP thought this was keeping some academics from engaging with development work, at a time where donors and practitioners were both frustrated for that work’s lack of impact. UNDP stroke a partnership with the most established academic publishers, persuaded some very high-profile academics to join New Approaches’s editorial committee, ensuring that its impact factor raises quickly.

The second thing was to launch an extensive programme of grants, open to everyone but tailored to cross-disciplinary academics. These grants paired grantees with field interventions, as planned by UNDP partners, initially mostly national governments of developing countries. The grants covered the field work itself, but also the process of reflecting upon it, typically in the form of one or more academic publication on New Approaches or other journals.

Some spectacular early successes provided a lucky break for Pluriversity. Soon, the most important private donors asked UNDP to join in the programme; other international organizations (the African Union, the World Bank Group and especially the European Union, the world’s largest donor at that time) followed suit.

The Pluriversity project appears to have been defunded well before Project Viking started- New Approaches is still being published in modern-day Witness. Its current publisher is the Graeber Institute.

[alberto]

@yudhanjaya @Joriam @amelia I created articles for REDR and the Pluriversity Project, each in their own post.

[Joriam]

Wow, I’m absolutely loving this!
And Alberto, Alberto! Your naming choices were on point, brother!

The part that hit me the hardest was the introduction of the incanters, the direct-action aethnographters! What a fascinating concept.

I’m here thrown into an imagination rabbit hole trying to imagine what sort of training these people have to properly execute this function: public speaking, rhetoric, a huge chunk of applied aethnography for sure — but I’m also seeing them leaning poetry, fashion, hair-styling, comedy!

Unbound by the slowness of academia, incanters can focus on what works: and if having white teeth is proven to help you in negotiations, even if minimally, they can embrace it without a second thought.

They’re probably the most charming, most center-of-the-party individuals — and different incanters would be deployed to the different parties they most fit in. And incanters can take pride on their side-skill (like dancing or being a chess master or a renowned chef) because they end up opening doors that facilitate the real work, which is changing society for the better applying the latest aethnographic research.

Just like their craft, they must be incredibly adaptable, improvisational even.

It’s a great vision for the future of activism — running away from a room full of long beaded man and towards the direction of golden tickets inviting you to secret parties where you find swimming pools of milk and performers spitting fire.

[amelia]

@alberto

The discipline’s lineage is well researched, and a relative consensus exists that aethnography emerged from four roots, each one contributing a founding principle.

I like the domains of application as being fairly consistent across Distrikts, but I don’t think we should have one lineage of the discipline. Can this lineage be connected to each Distrikt instead, different for each (shared across some, if people prefer)? The Mauss/Geertz lineage is a highly specific lineage of anthro that a lot of people reject even today (including myself, frankly). I can’t imagine an afro-futuristic or afro-pessimistic aethnographer tracing their history back to Mauss or Geertz, or through a UNDP project. Scott and Graeber are cool for sure (both have been well-critiqued as well), but every person named in the Aethnography origins right now is a white man. For a discipline whose history is imbricated in the colonial project, it’s not what I’d imagine for my futuristic sci fi world! Talal Asad, for example, is someone who’d make a great “founder”, or Zora Neale Hurston. St. Clair Drake, Edward Said. Zoe Todd and Audra Simpson as indigenous aethnographers.

I’d happily contribute to writing the lineage for other Distrikts!

[hugi]

@amelia

Can this lineage be connected to each Distrikt instead, different for each (shared across some, if people prefer)?

I love this! Perhaps the Cottica lineage describes the Covenant interpretation?

In fact, aethnography is already quite splintered across Distriks. @yudhanjaya made the questionable decision to name the Avantgridian flavor of aethnography after yours truly. I would be really interested to know @amelia - if a future society started using ethnography as a key element for keeping track of and understanding a decentralized governance model with almost complete autonomy, who would be the patron saints of that lineage?

@hugi

Aethnography is especially prized in Avantgrid as augurs travelling between settlements provides a key vector for news, ideas and innovation to migrate, as well as some much-needed new company for those who live on these islands. The Ásgeirsson-Institut specializes in thinking about energy in all facets of life and augurs are tasked with traveling between islands to study this in the hundreds of communities of Avantgrid.

[yudhanjaya]

Amelia - go for it! If needed, we can very easily modify the canon so that the Library of St. Benedict holds the collected archives of thought of all these thinkers (essentially an analogy for the Internet), so that we need not be limited.

Given the diversity of cultures within Witness, I think aethnography can and should have different lineages. Which is why I made Avantgrid’s flavor the energy-counters, given that that a) particular culture would inherently be thinking so much about energy needs in their daily lives and b) it is splintered from the mainland in terms of access, and so would have added incentive to evolve its own thing.

What I would suggest is that we first see if more roots can be added to this definition of aethnography, possibly clustered under schools of thought with some shared core. If they can, I can work that into the political history of each relevant state (I’m thinking of the Theravada-Mahayana splits in Buddhism here).

Tl;DR: do it! I will be happy to stand by and provide narrative support.

[alberto]

@amelia

I don’t think we should have one lineage of the discipline. Can this lineage be connected to each Distrikt instead, different for each (shared across some, if people prefer)? The Mauss/Geertz lineage is a highly specific lineage of anthro that a lot of people reject even today (including myself, frankly). I can’t imagine an afro-futuristic or afro-pessimistic aethnographer tracing their history back to Mauss or Geertz, or through a UNDP project. Scott and Graeber are cool for sure (both have been well-critiqued as well), but every person named in the Aethnography origins right now is a white man.

I share this critique and love the idea of different lineages of aethnography as loosely associated to Distrikts (what would that look like in Libria?). But I myself am too ignorant in anthro to do what Amelia describes. Just making a note here: how about a mini-seminar online to see if we can get it fleshed out?

[alberto]

I found a beautiful “hymn” to epistemic pluralism in Kim Stanley Robinson’s novel New York 2140. It is contained in a part of the novel narrated from the point of view of Franklin Garr, a stock market trader whose main claim to fame is the curation of an index that track the prices of real estate in the Intertidal, the area between the low tide and the high tide lines. The book imagines that sea levels have risen by 15 meters, so a lot of formerly prime real estate is now in the intertidal, including all of Lower Manhattan. It reads (emphasis mine):

No, one can glance at the totality, sure, but then it’s important to slow down and take in the data part by part. That required a lot of shifting of gears these days, because my screen was a veritable anthology of narratives, and in many different genres. I had to shift between haiku and epics, personal essays and mathematical equations, Bildungsroman and Götterdämmerung, statistics and gossip, all telling me in their different ways the tragedies and comedies of creative destruction and destructive creation, also the much more common but less remarked-upon creative creation and destructive destruction. The temporalities in these genres ranged from the nanoseconds of high-frequency trading to the geological epochs of sea level rise, chopped into intervals of seconds, hours, days, weeks, months, quarters, and years. It was awesome to dive into such a complicated screen with the actual backdrop of lower Manhattan out the window, and combined with the cappuccino, and the flight down the river, it felt like dropping into a big breaking wave. The economic sublime!

[SamS]

REDR, is precious!
I was in the past the founder of a school PeacemakerAcademy.com which I opened just before covid closed it down.